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05 Oct

The Reality

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The author always searched to analyze the attitudes desuas personages as representations of figures gifts in the society. Exactly, at many moments, showing traces of the nature human being, Axe not them viacomo negative aspects, but yes as natural. Any human being, dependendoda situation the one that is submitted, can present characteristics, pparently, refusals to the eyes of the society. The cruelty, the irony and the sarcasm are characteristic, queembora seem to distanciar one of the other, they are well linked. In them they contosem study, occurs a mixture of the three aspects, however in more intense doses, oraem amenas and subtle doses. In ' ' Night of Almirante' ' , one dosinteresses of the story is not only in the situation of loving trado: it is naatitude of Genoveva when inquired for Deolindo the truth says all to it. Essamescla of candor, insolence, irony, cynicism and because not to say a crueldadesutil. Analyzing this perspective, Bosi affirms Genoveva is not repented; before, it confesses quejurara openly, is truth, ' ' but that they had come other things ' ' ; this is everything.

It seems not to have guilt conscience, and is the proper narrator who, after all, intervines to explain Genoveva to the perhaps pasmos readers of as much unconsciousness: ' ' It forbids that we are very next to natureza&#039 here; '. The situation of the oath capsized brusquely anti-symmetrical. The tratoverbal was breached by one of the sides, and the supreme good that it stamped, the love deGenoveva, it transferred same it to one third, perhaps more attractive, porcerto less poor. The reality was thus, so that to deny it? ' ' A queo time pedlar won the sailor, the reason was of the pedlar, and fulfilled declar-lo.' ' This ' ' simplicidade' ' , this ' ' candura' ' , kept atraio after, it seems to the narrator very next to the nature, that not conheceriapecado, nor guilt, nor remorse, only necessities.

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