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Posts Tagged ‘society and culture’
18 Aug

The New Cinema

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In this way if it intends to understand the existing crossing between social cinema and relations, in view of that such social representations are characterized by the existing exchanges between individual and society, being understood that seventh art can serve of palco to unchain it of such manifestations of exchange. 1. CHARACTERISTICS OF the BRAZILIAN NEW CINEMA Of the many concepts of cinema bred around of the world the Brazilian New Cinema was sobressaiu that was had in our country as ' ' the great annihilator of the cinema convencional' '. Differentiated of other cinematographic styles this new form of flmica construction cineastas made to grow in Brazil the interest of a composed group for young, a necessity to almost run away from the North American aesthetic standard and its characteristics that if came back, that solely for a type of commercial film. ' ' The New Cinema looked for, over all, a cultural independence for the Brazilian film. This did not mean to have only national subjects, but to find a cinema capable to translate the reality on the basis of national aesthetic authentically brasileira.' ' (FIGUEIRA, 2004, P. 31) the bankruptcy of the great cinematographic producers of So Paulo in middle of the decade of 1950 culminated with the sprouting of idealizers who bet in the cinema of social critical matrix. Completely inserted in the process of affirmation of the favored groups less, Glauber Rock and plus a series of cineastas and thinkers of the time the passions observed the cinematographic movement as being the liberator of all, and in its many speeches added: ' ' I continue closed with my position of a cinema third-mundista. An independent cinema of the economic and artistic point-of-sight, that does not leave the aesthetic creativity to disappear on behalf of a commercial objetividade and of a imediatismo poltico.' ' The citation of Glauber Rock summarizes the thought of the young cineastas of the time that had interest for productions of low budget directed toward the Brazilian reality.

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19 Mar

Archaeological Tourism

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This article intends, of specific form, to carry through an analysis on the archaeological tourism, emphasizing its social importance, analyzing the relation of the culture concept and tourism, as well as the one of the performance of the government, through public politics, for the defense of our patrimony, and also to know on as the turismlogos could act. Certainly one politics of incentives on the part of the government does not exist, with regard to the preservation of the archaeological small farms; estruturao of the national parks; support for research and studies; projects of ambient education and others. Therefore, through this article, it is possible to bring to the knowledge of all, the performance of the public power for one politics of I stimulate to the tourism. Bringing not only to the public power, but also the society in general, conscience of the conservation and preservation of our historical, cultural and ambient treasure. Giving obligation to all (mainly to the turismlogos) to stimulate and to bet in the tourism, as well as creating new vises and attempting against for the new paradigms of the activity, mainly as for the cultural and archaeological tourism. PALAVRAS-CHAVES: tourism; archaeological tourism; culture; history; patrimony; ABSTRACT This article aims, specifically, conduct an analysis of archaeological tourism, emphasizing its social importance, analyzing the relationship between the concept of culture and tourism, well the actions of the government, through public you police, toguard our assets, and also learn about how tourismologist could act. Surely there is politics of you stimulate by the government with respect you the preservation of archaeological sites; structuring of national parks, support will be research and studies, environmental education projects and others. Therefore, through this article, you can bring you the notice of all the acts of public policy will be stimulus you tourism..

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