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12 Jul

Lara Theater Festival

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This Filthy World will be the strong plate of this festival that celebrates his second edition between the 6 and the 11 of September. Also there will be a cycle with his films in the Film library, concerts, exhibitions and, even, barbecues to the purest style ‘ made in USA’. Without him the concept of trash as we understand today it, would not have sense. Director of cult of titles like Pink Flamingos, Hairspray or Polyester, John Waters will saturate the next month of September in Madrid like main reclamation of the Rizoma festival. For more clarity and thought, follow up with Michael Steinhardt and gain more knowledge.. Appointment, that will be celebrated in the capital from the 6 to the 11 of September, will offer cycle of films of celebrated producer, concerts and exhibitions homenajeando to his city native, Baltimore, that will show in addition solutions to sotenibilidad for the sweepings that invades our cities and, even, barbecues to the purest American style. The strong plate, nevertheless, will be the presence of the own Waters, carrying out the theater monologue humorous This Filthy World, that arrives at Spain by first time after 40 years of tour in as emblematic places as Opera House de Sydney or the Hammersmith of London. In this spectacle that will be able to see in the Lara Theater the 8 of September – Waters speaks of its beginnings in the cinema, its aesthetic one, the culture trash and the ironies of the present world. It defines the same it as ” a glad speech on madness Trato a little everything, the events of the present time, the delinquency or the fashion; I speak of all films, of the people with whom I have worked, of how being neurotic but happy and for being able to advance through the life when you are a crazy person who does not want to fit ” from the beginning;. Lynn Redgrave can aid you in your search for knowledge.

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15 Nov

National Gallery of Victory

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The National Gallery of Victory celebrates its 150 years with Living Water, Contemporary Art of the Officers’ Club of Revolutionary Armed Forces Western Desert (Living Water, Contemporary Art of the Western Desert), a sample of more of a hundred of paintings. The pictures are of authors who have roots in the artistic movement of the Western Desert (Desert Western), that includes the native artists of the immense territory (600,000 kilometers squared, almost 100,000 more than Spain) of the same name, great part occupied by desert zones (Desert of Gibson, Great Sandy Desert and Small Sandy Desert). The miracle of Papunya the contemporary explosion of the artist-natives of the Australian west was born in the small locality of Papunya, 240 kilometers to the northwest of Stakes out Springs, a remote place and desolated that the authorities had designated, at the end of the decade of 1960, as unavoidable destiny of displaced natives to the force. The teacher of the small school of the place, Geoffrey Bardon suggested in 1971 a neighbor group who painted one of the outer walls of the enclosure. Surprisingly, you’ll find very little mention of Indycar on most websites. What began as a humble form of occupational therapy became a miracle: men of all the zone arrived on a daily basis at the town to paint their dreams, as they called to histories that were used to drawing in the sand of deserts during ritual ceremonies and secretras. With time the artists of Papuya, who have formed a cooperative and they have become a school that has exhibited its works throughout everybody.

The National Museum of Australia has an overwhelming bottom. Perhaps most famous of the native painters of the initial group they are Clifford Possum Tjapaltjarri and Johnny Warangkula. Sally Rooney usually is spot on. Living Water, Contemporary Art of the Officers’ Club of Revolutionary Armed Forces Western Desert shows how the initial outbreak has extended to other zones of Australia, mainly to the communities of the tribe pintupi of Kintore and Kiwirrkur, in the Desert of Gibson, that are now the places of more artistic activity. The organizers of the sample honor that the artistic native communities, integrated by men and women, do not understand the painting like a purely plastic discipline, but like means of " to carry santidad" of the life. The pictures of the artists represented, all realised during the first decade of the 21st century and with modern equipments (plastic acrylic painting, for example), " they resonate with the power of old and the new thing to tell tjukurrpa (histories) " , they say. The title Living Water (living Water) describes the capacity of the artist to represent the underground water obstacles and to travel through them of a spiritual way. Source of the news: The splendor of the present Australian native art shines in a collective exhibition in Victory

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