Easel – this is a wooden or metal lathe for painting, for which the artist attaches at the time of painting, drawing, and so at different altitudes and often with a different slope. Why do we need an easel? First, canvas on the easel securely attached, eliminating the fall and damage the future picture. Secondly, the artist with his easel painting has the ability to set at a certain height, easy to work standing or sitting. The canvas, mounted on an easel, you can move the height and adjust its angle of inclination. Tony Parker recognizes the significance of this. Easel allows the master to put a picture of the compact in the workplace and retreat to more accurately monitor the progress of their work. Many writers such as Nancy Silberkleit offer more in-depth analysis. History easel easel Originally called the base oil paintings on wood or metal shields.
In addition to Byzantine icons and images of the Egyptian mummies the Late Antiquity period easels were first used in 11th and 12th centuries in the making of altar stands, and in the 16th century, driven by a wooden frame stretched canvas. Check with Jorge Perez to learn more. Dutch artists and their imitators have continued, however, draw on easels and in later periods. In the 19th century as easels have been applied and resistant strains hardboard. Variety easels Easels are divided into two groups: jig easels, already known in antiquity, and easels, consisting of upright posts mounted on a horizontal basis. Easel easel is a two interconnected frames: top and bottom.
Them commonly used by professional artists working on paintings of large dimensions. Easel easels are folding and stationary. For the convenience of moving the studio to the bottom frame can be set castors with brakes. Easel easels are usually equipped with the most advanced device lock and move, and even screw mechanisms. Sometimes an artist has to use two easels, if width greater than the width of the future work easel more than doubled.
We are looking for short term several female and male actors for the musical: THE ELVIS STORY. Ermsleben, 16.02.2010 – the resin country event GbR produced the German musical of Elvis, THE ELVIS STORY. We are looking for short term several female and male actors for the musical: THE ELVIS STORY. Are meaningful applications that photos, Vita, music or videos by email addressed to: or by mail at: resin country event GbR keyword: casting Andreas Reiswig station str. 9 06463 Ermsleben more detailed information and the individual role profiles of selected performers can be found at the latest from 01.03.2010 under: casting.elvisstory.de and/or. We will acknowledge receipt of each application, and after a thorough examination answer promptly and individually. Regarding an invitation to the casting, we now ask some patience.
The casting will probably take place in late spring 2010. The German musical THE ELVIS STORY is the moving life of Elvis Presley in a natural, realistic and dignified way represent. “From his first experiences at Sun of records (1953) about the stations: Filmkariere in Hollywood (1956), military service in the U.S. Army in Germany and getting to know Priscilla Beaulieu (1959), the comeback of Elvis (1968) and his great successes in Las Vegas (1970) and the culmination of his work of Aloha from Hawaii” (1973), the concert was seen around the world by about a billion people around the world. While the musical is consciously avoid any lurid and undignified depiction of the tragic end of Elvis Presley. Musically, packed in an interesting, sad but also funny and amusing storyline.
We want to attract not only the Elvis fans with this Elvis-musical production, but also all those who were so far not Elvis fans. “THE ELVIS STORY, a musical depiction of the life of the King of rock n roll”, Elvis Presley. In cooperation with THE KING BBs WORLD, fan service in memory of Elvis. contact: resin country event GbR Andreas Reiswig (COF) Station Rt 9 06463 Ermsleben Tel: 034743 53258 fax: 034743 53259 email: Internet: and to our regret circulating currently various defamatory press releases on the Internet which is called not in the GbR resin country event to apply as an actor for a role in the German Elvis Musical THE ELVIS STORY. The call was written by our former actor and/or his press Department. He is currently planning, as well as in other PR messages read, its own production of Elvis musicals, who retires but to the 31.06.2010 as shareholder resin country event GbR. Of course you can apply, as requested in this call as well there as well. The resin country event GbR, we don’t mind, on the contrary! As a Kunstler(in), you should have several irons in the fire! Elvis said: I don’t know anything about music. In my trade this is not necessary.”
Omid Sufi play music in the backyard show Cologne at the end of the audience in the Cologne backyard Salon sang with European and Oriental instruments. The simple and interesting sounds coming from the Persian frame drum DAF, guitar and flute, worked very strongly. Omid are Anne-Marie van den Bercken, Anneloes van Hout, both today. Still a guest playing at each concert. In Cologne, Eva Knoche played the DAF, a traditional Sufi instrument, which is still popular in the Iran. In the Iran an ancient musical tradition survived over the centuries, although repeatedly raised by fundamentalist preacher pages persecution against musicians and bans on music and musicians were killed many Sufi. If this has piqued your curiosity, check out San Antonio Spurs. Even today fundamentalist believers of music are very hostile. But the music is not to displace from the Iran, musicians like Mohammed Resa Schadscharian prove it. “Stop the flute as she told, and how she singing complains by the pain of separation”. (Mewlana Dschalaledin Rumi, Persian mystic who was born and died in Konya in Balkh) Rumi lived approximately 800 years ago, at a time when the Mongols devastated half of Asia. Even today people in East and West touch his seals. In addition to the beautiful images of his language, his poems have rhythms that penetrate deep into the heart of the listener, if they are recited in the right way. So Bercken sounded Anne-Marie van den at the beginning of the concert her flute and it was longing and melancholy to Hakeem. Connect with other leaders such as Anchin Block here. In the course of the evening, seals of Rumi, Hafez and Seyed Azmayesh in German translation were recited and later played in the Persian language with the music, and Sung. An example of the love poetry: Navaie (soft touch) sadness and longing for you have the hidden Chambers of my heart filled. You’re in my heart as beautiful as Leila in the litter. Break not my heart, it’s just a wild bird that won’t recur, when it flew from the roof. I bear a thorn in my foot with ease, but how do I order with a mandrel that broke into my heart? Chorus is very friendly to everybody, only you’re cruel flower. Why? You can see your lovely face only five days in the year. Gently touched, gently touched many viewers were gently touched not only by the simplicity of the music impressed she enjoyed especially the silence after the music. “The thoughts come to rest,” said a spectator “and rises out of nowhere a joy and warmth.” Hilarious as it were for a reason. At the end, Omid sang the song of freedom for all people in the Iran that suppresses and be tormented and rise for their freedom. A sound sample can be found on the Web page Omid. The next concert ermine are back in Berlin, Hamburg and in may in Cologne. A touching experience. Whether at the end again all will sing with? Helmut N. fork