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19 Jun

Radzinsky Theater

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Life of Napoleon, Chateaubriand, Seneca, Catherine the Great, Alexander II … Official site: Tony Parker. And if not history, love, or love story and, with the main character – a woman. If you would like to know more about Brahman Capital, then click here. “You are 22, old people,” “104 pages about Love “,” shooting a film “- confession, he admitted that the play, where” Emma – it’s me. ” “I’m not interested in men. A woman – chaos, immensity, it is always very interesting.

It can be simple, but in this simplicity – complexity. If a man and complicated, it is still very easy “- here’s a quote for our readers! His career in the theater Radzinsky sums up: “I am going to tell his story very lucky man who shot three plays, rather, all three plays, but nevertheless they were before this set. Do not just set, and best director, which then existed – Efros. And they played great actors. At the same time six years was not allowed to play about Socrates, four years – a play about Nero. Ten years.

To continue to put so need a life was a turtle. But they still put up. I emphasize that this story Udacnik, who only pay for years of their lives for these successes. ” By the way, Radzinsky speech before an audience – it is also, of course, theater. He created a new genre – the solo performance of historical investigation, detective, time travel. I myself was at the concert and I can assure everyone that present the story so vividly and ironically can not nobody else. “To my taste, I’m not a very good actor, and I grab the other room. In addition to this the journey in time I am trying to discover how to say it more precisely, the idea of God in the history of is telling you. His lesson. This allows me to improvise in front of people, because I know – why. And no improvisation, no immediacy of residence – an address would be boring lecture, “- says the writer. That’s all I came to mind when I read a new book Radzinsky “My theatrical life,” to cover that made the words of the author: “For many years I am writing for the theater and learned long ago the sad formula: a playwright writes a play, director raises another, and the viewer sees the third … In analyzing this third piece, we can understand a lot not only about the play itself, but also about the time … “.

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